The past several days have been quiet around here and with a couple of deadlines in sight I think this period of silence will be prolonged. However, with every chance of meeting the said deadlines successfully and hopefully with nothing unexpected jumping out from these projects I will return to the usual posting at the beginning of September.
Friday, August 1, 2014
I’ve mentioned some time ago my delight in seeing Andrew J. McKiernan’s short stories gathered in a single volume, “Last Year, When We Were Young”, I was also very eager at the time to see Andrew J. McKiernan’s debut collection published and start digging within its contents. Well, it took me a bit longer than I hoped, I’ve just started reading it, but although it’s still early to draw a final conclusion I have to say that its reward is beyond even my most optimistic expectations. I anticipated something of this kind, after all I am quite fond of Andrew J. McKiernan’s stories I read so far, but nothing of the sort. And it seems I am not the only one, “Last Year, When We Were Young” is pulling some raving reviews:
"McKiernan is a magician. He performs magic tricks in every story, spinning us around, making us believe one thing before showing us we were wrong all along. His stories are pure magic, staying with you like an echo long after reading." - Kaaron Warren, author of Slights & Walking the Tree
"Last Year When We Were Young, is proof yet again of the incredible writing talent that can be found in Australia and further still, proof that horror can have a meaningful voice that goes well beyond blood and gore." - Greg Chapman, Thirteen O'Clock
"A troubling collection of weird and twisted tales. Sometimes funny, sometimes horrifying; always clever, always disturbing. Highly entertaining!" - Jonathan Maberry, New York Times bestselling author of CODE ZERO
"The sixteen tales in the collection draw inspiration from a variety of genres and styles, with the magically humorous juxtaposed against the frightfully repulsive, but each story has something in common: they are all hauntingly clever." - Alayna Cole,www.mariannedepierres.com
Therefore, if you want to see for yourself what Andrew J. McKiernan is up to in his debut short story collection you can get the Kindle compatible ebook of “Last Year, When We Were Young” today and tomorrow at a bargain price (Australia, UK, US). After August 1st and 2nd for other three days you can still buy the book at a discounted price, although it is slightly more than on the first two days of August. And if I am not mistaken and you prefer a physical copy of Andrew J. McKiernan’s “Last year, When We Were Young” you can get one during these days through Satalyte Publishing’s webstore with a 25% discount.
I hope you’ll enjoy it as much as I do!
Thursday, July 31, 2014
It seems there has been a bit of a mix-up with the list of nominees for the 2014 Ignotus Awards and in consequence the Novella and Short Story categories have been affected, as announced by the administrator of the Ignotus Awards, Ricardo Manzanaro:
It has been detected that the work “La edad del vuelo” (The Age of Flight) by Alberto Moreno Pérez (Espiral Ciencia Ficción #53) has 45.000 words, and because of this it cannot be nominated for the “Novella” category, restricted to maximum 40.000 words, although almost all the votes received by the work were as “Novella”. “La edad del vuelo” (The Age of Flight” is eligible for the “Novel” category, for which it is one vote away from the list of finalists, therefore it should be excluded from the list.
The opened place as finalist for the best novella is occupied by the next classified work, in this case “Detective” (Detective) by Rodolfo Martínez and “Mecaderes de tiempo” (Time Traders) by Victor Conde, both with the same number of votes. As the work of Conde has approximately 14.500 words and doesn’t reach the minimum of 17.500 words to be considered for the “Novella” category, passes then to the “Short Story” category, gathering sufficiently number of votes to be included among the finalists.
Therefore, the nominees for the “Novella” and “Short Story” categories are as follows:
“Detective” (Detective) by Rodolfo Martínez (Sportula)
“En el filo” (On the Edge) by Ramón Muñoz (from “Terra Nova Vol. 2” / Fantascy)
“La montaña” (The Mountain) by Juan González Mesa (Bizarro)
“La penúltima danza del Griwll” (Griwll’s Penultimate Dance) by Ramón Merino Collado (“De monstruos y Trincheras” / Juan José Aroz, Espiral)
“Rafentshalf” (Rafentshalf) by Jesús Fernández Lozano (from “Reyes de aire y agua” / Cápside)
“Dariya” (Dariya) by Nieves Delgado (from “Ellos son el future” / Web Ficción Científica / Revista Terbi nº 7)
“El aeropuerto del fin del mundo” (The Airport at the End of the World) by Tamara Romero (from “Visiones 2012” / AEFCFT)
“El enemigo en casa” (The Enemy Within) by Concepción Regueiro (from “Historias del Crazy Bar” / Stonewall)
“Mecaderes de tiempo” (Time Traders) by Victor Conde (Sportula)
“La última huella” (The Last Footprint) by Miguel Santander (from “La costilla de Dios” / Libralia / Revista TerBi nº 6)
“Los orcos no comen golosinas” (The Orcs Don’t Eat Sweets) by Carlos López Hernando (from “Visiones 2012” / AEFCFT)
“Wendy de los gatos” (Wendy of the Cats) by Jesús Fernández Lozano (from “Reyes de aire y agua” / Cápside)
The administrator apologizes for this last moment verifications.Ricardo Manzanaro, the administrator of the Ignotus Awards
Wednesday, July 30, 2014
You know that question about a certain number of books one would like to have on a deserted island, well, said question starts sending shivers down my spine each time I hear it. You see, I would need a large coffer for the books I would like to have with me in such an unfortunate case and I would still panic since I believe it will not be enough. Of course, there is hardly need for worry, this hypothesis assumes that one foretells the event and brings all the right books along instead of staying home and avoiding such a grim perspective, from multiple points of view. But I’ll play along once more with the assumption and say that in the case of ending up stranded on an island I would love to find among the books I’d have with me Carole Lanham’s “The Whisper Jar” too. This collection of short stories was for me one of the most pleasant surprises of recent years, each tale satiating my reading appetite while at the same time making me hungry for more. With “The Whisper Jar” leaving me craving for more of Carole Lanham’s fiction I went on the hunt for each new book she published. As a result, following Carole Lanham’s debut novel, “The Reading Lessons”, just this week the hunt brought a new trophy, her novella “Cleopatra’s Needle”. And by the looks of it, “Cleopatra’s Needle” promises to bring a story perfectly fit for Carole Lanham’s whisper jar, a tale of secrets, witchcraft, cruelty and romance. A story that I need to devour right away. And which brings me back to the question from the beginning, if each year offers for reading and consideration new, wonderful books from our favorite writers, such as Carole Lanham for me, or recently discovered authors, how am I to make a choice of beloved titles limited to only a handful of them?
There are monsters in this world, I’ve learned, and sometimes I have fallen victim to them and sometimes I have been one…
When Lilabet last saw Iago, they were ten years old. Whisked off to America by his father in a desperate attempt to escape the dark superstitions of Wales, Iago’s letters have been the single thing to connect them. Now, fourteen years have passed and Iago has asked Lilabet to be his bride.
Eager to begin a modern life in an exciting new land with the man she has loved for all her days, Lilabet is about to discover that black magic may find a home on any shore. Three red-haired witches have been playing a deadly game of revenge with Iago and if she wants to have a life with him, Lilabet will first have to fight the dark forces that have claimed her young husband for their own.
Monday, July 28, 2014
Aurealis, the prestigious Australian fantasy and science fiction magazine, celebrates soon 25 years of continuous publication and as part of this celebration Aurealis Magazine is offering to the readers a free half-year subscription for 2014. To get the last 5 issues of the year, Aurealis #72 to Aurealis #76, you can make a free subscription to Aurealis Magazine on its Subscription Page. The offer is open until the end of July.
Friday, July 25, 2014
There is no secret that “Tobacco-Stained Mountain Goat” and “One Hundred Years of Vicissitude” made Andrez Bergen a favorite around this blog. There is hardly a secret, since I’ve trumpeted often, wide and long enough, that I am falling way behind with my readings, reviews and interviews and as much as I dislike this fact Andrez Bergen’s “Who is Killing the Great Capes of Heropa?” is one of my most anticipated books still waiting unread on the bookshelves. Well, it is time to put a stop to all the complaining and start acting, therefore, I believe a reading goal for the remaining of 2014 is in order, despite dropping altogether any such objectives a while back. So, by the end of this year I will do my best to not only read “Who is Killing the Great Capes of Heropa?”, but also Andrez Bergen’s new novel, “Depth Charging Ice Planet Goth”, released today by Perfect Edge Books. And with that said I think it is time to start putting some effort behind my attempt of achieving the said objective, but not before congratulating Andrez Bergen on his new book release day.
A wild carnival of a novel that treads Kafkaesque territory and spills over the rails to plumb the depths of a murder mystery.
She's a disturbed, quiet girl, but Mina wants to do some good out there. It's just that the world gets in the way. This is Australia in the 1980s, a haven for goths and loners, where a coming-of-age story can only veer into a murder mystery.
Thursday, July 24, 2014
I hold small, independent publishers to high esteem, I find more often than not that they are bolder than the bigger presses when it comes to publishing books that break the confines of certain limits and their sustained efforts of bringing challenging titles to the readers are nothing short of praiseworthy. One such small publisher, of which I’ve become quite fond ever since its foundation in 2011, is Spectral Press. An independent publisher dedicated mostly to limited signed editions of single story chapbooks and occasional novellas Spectral Press released over time some very interesting titles from some of my favorite writers, such as Gary McMahon’s “What They Hear in the Dark”, Cate Gardner’s “Nowhere Hall”, Alison Littlewood’s “The Eyes of Water”, Tim Lebbon’s “Still Life”, Mark West’s “What Gets Left Behind” or Stephen Volk’s “Whitstable”, with more coming in the future from Angela Slatter, Lisa Hannett, Simon Bestwick, Robert Shearman and Ray Cluley. Recently Spectral Press started to publish single-author short story collections, such as Paul Kane’s “Ghosts”, and multi-author anthologies, such as “The 13 Ghosts of Christmas” edited by Simon Marshall-Jones, as well, and in this case, the next on the line is a very interesting brand new anthology, inspired by the popular 1960’s and 1970’s Pan and Fontana books of horror and ghost stories, “The Spectral Book of Horror Stories”. The good things do not stop with this little piece of news, in the style of the Pan and Fontana books of horror stories Spectral Press intends for “The Spectral Book of Horror Stories” to be an annual anthology, bringing each year new, original stories from the very best writers of the genre. The first collection of this series is edited by Mark Morris and gathers a stellar line up of authors, including Angela Slatter, Alison Littlewood, Helen Marshal, Alison Moore, Gary McMahon, Conrad Williams, Stephen Volk, Robert Shearman, Michael Marshall Smith, Ramsey Campbell and Reggie Oliver. Equally outstanding is the artist and his cover artwork, the impressive Vincent Chong put his talent to excellent use and has created a perfect cover for “The Spectral Book of Horror Stories”, a creepy, disturbing artwork, but with plenty of alluring power to tempt the readers into stepping over the threshold of this anthology. (If you wish to see more, there is a little post on Vincent Chong’s blog describing the process of creation and some of the sketches of this cover.) “The Spectral Book of Horror Stories” will be launched at the 2014 British Fantasy Convention, taking place in York during 5th and 7th September, with a mass signing session. With great regret I have to accept that as much as I would love to attend this book launch and get a copy signed by these wonderful writers this time it will not be possible, so the only thing it remains for me to do is wish all the best to Spectral Press and its new series of short story collections. And also to delight in the interviews made by Angela Slatter with the authors featured on the table of contents uncovering a bit of their writing process and the story behind the stories from “The Spectral Book of Horror Stories”.
19 BRAND NEW TALES TO CHILL YOUR BLOOD AND HAUNT YOUR DREAMS!
“The figure crouched over his mother was… taking something from her, sliding some spidery thing that struggled and screamed soundlessly out of her side and into his leathery dark bag…”
THE NIGHT DOCTOR by Steve Rasnic Tem
“I saw her skin turn black and erupt in blisters and pustules as in one last mute appeal she stretched her hand towards me over the flames…”
THE BOOK AND THE RING by Reggie Oliver
“There wasn’t much of a struggle even when Tomas lashed him, limb by limb, to the stakes, although he had plenty to say to Tomas’s back as he walked away.
It was when Tomas reappeared, leading the shaggy, horned thing from the barn, that Mr Sunshine really started to squeal…”
CURES FOR A SICKENED WORLD by Brian Hodge
“On the Tour” by Ramsey Campbell
“The Dog’s Home” by Alison Littlewood
“Funeral Rites” by Helen Marshall
“Slape” by Tom Flecther
“The Night Doctor” by Steve Rasnic Tem
“Dull Fire” by Gary McMahon
“The Book and the Ring” by Reggie Oliver
“Eastmouth” by Alsion Moore
“Carry Within Some Small Sliver of Me” by Robert Shearman
“The Devil’s Interval” by Conrad Williams
“Stolen Kisses” by Michael Marshall Smith
“Cures for a Sickened World” by Brian Hodge
“The October Widow” by Angela Slatter
“The Slista” by Stephen Laws
“Outside Heavenly” by Rio Youers
“The Life Inspector” by John Llewellyn Probert
“Something Sinister in Sunlight” by Lisa Tuttle
“The Video Does Not Exist” by Nicholas Royle
“Newspaper Heart” by Stephen Volk